A six-minute performance of "Prologue/Jet Song" from the suite, performed during Frank Sinatra's portion of the Concert for the Americas on August 20, 1982, is on the DVD "Frank Sinatra: Concert for the Americas". It later became a staple of his live performances. Rich received the West Side Story arrangement of Leonard Bernstein's melodies from the musical in the mid-1960s he found the music quite challenging and it took him almost a month of constant rehearsal to perfect. The "West Side Story Medley", arranged by Bill Reddie, highlighted Rich's ability to blend his drumming into the band. He performed a big-band arrangement of a medley from West Side Story that was released on the 1966 album Swingin' New Big Band. In 1968, Rich collaborated with the Indian tabla player Ustad Alla Rakha on the album Rich à la Rakha. Especially notable were sessions for Ella Fitzgerald and Louis Armstrong, and the Oscar Peterson trio with bassist Ray Brown and guitarist Herb Ellis. He was a session drummer for many recordings, where his playing was often less prominent than in his big-band performances. He continued to play clubs but stated in interviews that the majority of his band's performances were at high schools, colleges, and universities rather than clubs. įrom 1966 until his death, he led successful big bands in an era when their popularity had waned. In 1955, Gene Krupa and Buddy Rich recorded the collaboration album titled Krupa and Rich, which featured the song "Bernie's Tune", where they traded drum solos for a total of six minutes. In addition to playing with Tommy Dorsey (1939–42, 1945, 1954–55), Rich played with Benny Carter (1942), Harry James (1953–56–62, 1964, 1965), Les Brown, Charlie Ventura, Jazz at the Philharmonic, and Charlie Parker ( Bird and Diz, 1950). At fifteen he became the second highest paid child entertainer behind Jackie Coogan during the 1930s. In his teens he led a band and toured in the U.S. He was on Broadway as Baby Traps the Drum Wonder at age four, playing " The Stars and Stripes Forever" on a drum. Rich would often sneak into jazz clubs at an age when he looked old enough to sit on the drum set. : 6 Before he turned two, he was part of his parents' act on vaudeville, but on breaks he would sneak into the orchestra pit and try to get the drummer's sticks. Rich was born in Sheepshead Bay, Brooklyn, New York, to Jewish-American parents Bess Skolnik and Robert Rich, both vaudevillians. 2.3 Influences, technique, and performances.
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Despite his commercial success and musical talent, Rich never learned how to read sheet music, preferring to listen to drum parts and play them from memory. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Rich was known for his virtuoso technique, power, and speed.
He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. In 1966, he recorded a big-band style arrangement of songs from West Side Story. From 1945 to 1948, he led the Buddy Rich Orchestra. From 1942 to 1944, Rich served in the U.S. He began playing jazz in 1937, working with acts such as Tommy Dorsey, Count Basie, and Harry James. He discovered his affinity for jazz music at a young age and began drumming at the age of two. Rich was born and raised in Brooklyn, New York, United States. He is considered one of the most influential drummers of all time. Bernard " Buddy" Rich (Septem– April 2, 1987) was an American jazz drummer and bandleader.
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